September 28, 2021

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St. Louis Symphony Orchestra honors Opera Theatre partnership with ‘Operatic Encore’ | Arts and theater

2 min read






Audio director Stéphane Denève conducts the St. Louis Symphony Orchestra May 14, 2021, at Powell Hall. It’s the last weekend of exhibits this time. 




The St. Louis Symphony Orchestra is providing a one-night time-only “Operatic Encore” live performance of well known instrumental audio from effectively-recognized operas at Powell Hall. Conductor Daniela Candillari would make her SLSO debut top new music from operas by Ludwig van Beethoven, Joseph Bologne, Pietro Mascagni, Jules Massenet, W.A. Mozart, Gioachino Rossini and Giuseppe Verdi.

Highlights from the system include alternatives from “The Magic Flute,” “Cavalleria rusticana,” “William Tell” and the overture to Beethoven’s only opera, “Fidelio.”

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As the period ends with Beethoven’s Seventh at Powell Corridor, St. Louis Symphony Orchestra songs director Stéphane Denève talks about the difficult and unusual 2020-21 time.

Movie by Colter Peterson, [email protected]

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Colter Peterson

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A indigenous of Slovenia, Candillari retains a active agenda. She executed Opera Theatre of St. Louis’ “New Operates, Bold Voices” opera cycle this time and just lately designed her New York Philharmonic debut conducting Thomson’s “The Mother of Us All” at the Metropolitan Museum of Art.

She’ll be top Arizona Opera in its November manufacturing of Gregory Spears’ “Fellow Tourists,” which she led in preceding seasons with equally the Lyric Opera of Chicago and Minnesota Opera.

The “Operatic Encore” concert also options SLSO assistant concertmaster Erin Schreiber on Pablo de Sarasate’s “Carmen Fantasy,” centered on themes from Georges Bizet’s opera “Carmen.”

At 12 minutes, “Carmen Fantasy” is comparatively quick — until the violin is beneath your chin. The function is technically hard and generally performed as a competitiveness piece.

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